X hits on this document

29 views

0 shares

0 downloads

0 comments

13 / 13

Sync Tanks

http://www.geocities.com/Hollywood/Academy/4394/sync.htm

2 The sources of the information and citations in this article are interviews conducted by the author in 1994 (Michael Kirchberger, Ron Bochar, Evan Lottman), 1986 (Walter Murch), and 1975 (Dede Allen, Mimi Arsham, James G. Stewart). The comments by Gary Rydstrom

were made at a lecture at the Walter Reade Theatre in February 1992.

Recommended Books and Periodicals on the Art and Technique of Film Sound:

AItman, Rick, ed., Sound Theory/Sound Practice. New York, NY: Routledge, 1992.

Chion, Michel, Audio-Vision: Sound on Screen, ed. by Claudia Gorbman. NY, NY: Columbia University Press, 1994.

Moviesound Newsletter: The State of Film Soundtracks in Theaters and at Home, P.O. Box 7304, Suite 269, No. Hollywood, CA 91603.

LoBrutto, Vincent, Sound-on-Film: Interviews with Creators of Film Sound. Westport, CT: Praeger Publishers, 1994.

Weis, Elisabeth and John Belton, eds., Film Sound: Theory and Practice. New York, NY: Columbia University Press, 1985.

Forlenza, Jeff and Terri Stone, eds., Sound for Picture: An Inside Look at Audio Production for Film and Television. Emeryville, CA: MixBooks, 1993.

Schneider, Arthur, Electronic Post-Production Terms and Concepts. Boston, MA: Focal Press, 1990.

-

--------------------------------------------------------------------------------------

Weis, Elisabeth, Sync tanks.., Vol. 21, Cineaste, 01-01-1995, pp 56.

Creating sound for Director Jonathan Demme To Sound of Sound

*home*

This page hosted by

Get your own Free Home Page

13 of 13

6/24/04 7:55 PM

Document info
Document views29
Page views29
Page last viewedTue Dec 06 22:37:23 UTC 2016
Pages13
Paragraphs145
Words5742

Comments