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"Pleasure and the New Spanish Mentality: A Conversation with Pedro Almod6var," Film

Quarterly (Fall 1987). "The Dialectic of Dreams and Theater in the Films of Ingmar Bergman," Dreamworks

V, no. 3-4 (1987). "Phallic Film and the Boob Tube: The Power of Gender Identification in Cinema, Television and

Music Video," Onetwo-threefour, Special issue on Music Video, no. 5 (Spring 1987): 33-49. "José Luis Borau On the Line of the Nation al/I ntern ational Interface in the Post-Franco

Cinema," Film Quarterly (Winter 1986-87). “The Image of Patriarchal Power in Young Mr. Lincoln (1939) and Ivan the Terrible, Part

1(1945)," Film Quarterly (Winter 1985-86): 29-49. "Music Video and the Spectator: Television, Ideology and Dream," Film Quarterly (Fall 1984):

2-15. Reprinted in Television: The Critical View, 4th ed., ed. Horace Newcomb (New York: Oxford, 1987); and in Przekazy i Opinie (leading Polish Journal of Mass Communication and Broadcast Research). "The Children of Franco in the New Spanish Cinema," QRFS (Summer 1983). "The Spirit of The White Hotel," Humanities in Society IV, no. 2-3 (Spring Summer

1981):143-170. "Dream as Art: a Model for the Creative Interplay between Visual Image and

Narrative," Dreamworks (Spring 1982): 216-225. "From the Life of the Marionettes to The Devil's Wanton: Bergman's Creative

Transformation of a Recurring Nightmare," Film Quarterly (Spring 1981). Reprinted in The Anxious Subject (Undena Publications, 1983). "El Nido," Film Quarterly (Fall 1981): 34-41. "Dream and Performance: an Editorial Overture," Dreamworks (Fall 1980). "Kagemusha," Film Quarterly (Winter 1980-81). Reprinted in Akira Kurosawa, ed. Dan Vert

(Israel: Massada Publishers, 1987). "The Plumber," Film Quarterly (Summer 1980). "Soft Fiction," Film Quarterly (Spring 1980). "The Adaptation of Cinematic Dreams," Dreamworks (Spring 1980). "The Power of Adaptation in Apocalypse Now," Film Quarterly (Winter 1979). "The Meetings of Anna," Film Quarterly (Fall 1979). "The Deer Hunter as Political Game," Film Quarterly (Summer 1979). "Carlos Saura: The Political Development of Individual Consciousness," Film Quarterly (Spring

1979). "The American Friend," Film Quarterly (Winter 1978179). "Girlfriends," Film Quarterly (Fall 1978). "Are Movies Poisoning Our Dreams?, " Los Angeles Times Calendar (July 9, 1978). "Tent of Miracles," Film Quarterly (Summer 1978). Reprinted in Brazilian Cinema, ed.

Robert Stam (Associated University Press, 1982). "Opening Night," Film Quarterly (Summer 1978). "The Man Who Loved Women," Film Quarterly (Spring 1978). "Saturday Night Fever," Film Quarterly (Spring 1978). "The Art of Dreaming in Three Women and Providence," Film Quarterly (Fall 1978).

  • "The Losey-Pinter Collaboration," Film Quarterly (Fall 1978).

  • "Sexual Politics in Sweet Movie," QRFS (Fall 1978).

  • "Insiders and Outsiders in the Films of Nicolas Roeg," OR FS (Summer 1978).

"Reflections on Jeanne Dielman," Film Quarterly (Summer 1977). Reprinted in Sexual Stratagems, ed. Patricia Ehrens (Ungar, 1978). "Throne of Blood: a Morality Dance," Literature/Film Quarterly (October 1977).

  • "Adaptation as Criticism: Tristram Shandy on Film," Eighteenth Century Studies (Spring

    • 1977)

      .

"Creating a Teaching Discipline: Literary/Film Analogies," IQ RFS (Fall 1976). "The Disastrous Escape," The Contemporary Literary Scene, 1976.

  • "The Night Porter as Daydream," Literature/Film Quarterly (Fall 1975).

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