"Outlaws & Oddballs: the Heterosexual Couple Returns to the Screen," Occidental (Summer
1975). "The Tyranny of Convention in The Phantom of Liberty," Film Quarterly (Summer 1975). "Scenes from a Marriage," Film Quarterly (Winter 1974). "The Bouffe and the Barf: Life and Death Matters in the Cinema of Outrage," Film Quarterly
(Winter 1974). "The Return of the Outlaw Couple: Badlands, Thieves Like Us and The “Sugarland Express," Film Quarterly (Summer 1974). "Zardoz Crystallized," Film Quarterly (Summer 1974).
"Madwomen in the Movies," Film Heritage (Winter 1974).
"Seeing Is Believing: The Exorcist & Don't Look Now," Cinema (1974). Reprinted in American Horrors, ed. Gregor A. Waller (University of Illinois Press, 1987).
"Truffaut's Gorgeous Killers," Film Quarterly (Winter 1973).
"Bertolucci and the Dance of Danger: Last Tango in Paris," Sight & Sound (Fall 1973). Reprinted in Sight and Sound Reader (London: British Film Institute, 1982).
"American Graffiti," Film Heritage (Winter 1973).
"Woman and Manchild in the Land of Broken Promise," Women & Film III-IV (1973).
"Odd Couples: Woman and Manchild in Harold and Maude, Minnie and Moscowitz, and Murmur of the Heart," Woman & Film 11 (1972).
"Antonioni's Zabriskie Point," Sight & Sound (Spring 1969).
"Rosemary's Baby," Sight & Sound (Spring 1969).
"An Interview with Jacques Demy," Film Heritage (Spring 1967). "The Knack and How to Get at it," Film Society Review (March 1967). "Blow-Up: Antonioni in Transit," Sight & Sound (July 1967). Reprinted in Focus on Blow-Up,
ed. Roy Huss (Englewood-Cliff s, N.J.: Prentice Hall, 1971); and in Antonioni, vol. 4, ed. Carlo di Carlo (Roma, 19 ). "The Improved Author's Farce," Costerus (November 1972).
[* Co-authored with Beverle Houston]
Book Reviews The Great Spanish Films: 1950-1990, by Ronald Schwartz. Film Quarterly 46, no. 1 (Fall
1992): 59. Out of the Past: Spanish Cinema after Franco, by John Hopewell. Film Quarterly (Spring
1988): 49-51. Behind the Spanish Lens: Spanish Cinema Under Fascism and Democracy, by Peter
Besas. Film Quarterly (Fall 1986): 30-36. Fellini: A Critical Biography, in Los Angeles Times (December 7, 1986). Ingmar Bergman: A Critical Biography, by Peter Cowie. Film Quarterly (Summer 1983). Graham Greene on Film: Collected Film Criticism 1935-40," Mystery & Detection Annual
Film Retrospectives and Special Projects Curator of a retrospective of Spanish films of the 1990s at Southern Methodist University,
October 2000. Curator of the film series, "Refiguring Spain," USC, January 20- February 10, 1996.
Co-sponsored by the Oficina de Educaci6n, the Spanish Ministry of Culture, and the University of Southern California. A program of 21 films. Co-curator of American Cinematheque program of "Recent Spanish Cinema,"
March 1994, the first of what has become an annual series. Co-director (with Cristina Venegas) of "Border Crossings," at USC, November
1991, two weekends of screenings and a one-day conference on contemporary Mexican and Chicano cinema and video; funded by a Rockefeller Grant. Co-curator (with Katherine Kovacs) of "Spanish Cinema: The Politics of Family