Blood Cinema: The Reconstruction of National Identity in Spain. Los Angeles and Berkeley: University of California Press, 1993, with a companion CD-ROM hypertext.
Playing with Power in Movies, Television and Video Games: From Muppet Babies to Teenage Mutant Ninja Turtles. Los Angeles and Berkeley: University of California Press, 1991.
Spanish Cinema: The Politics of Family and Gender. Los Angeles: The Spanish Ministry of Culture, 1989, a 51-page catalogue published in conjunction with a retrospective of Spanish films.
Self & Cinema: a Transformalist Perspective (co-written with Beverle Houston). New York: Redgrave Publishing, 1980.
Close Up: a Critical Perspective on Film (co-written with Beverle Houston). New York: Harcourt Brace Jovanovich, 1972.
Edited Anthologies Interactive Frictions: A Collection of Essays on New Media, Database Narratives and Cultural Change, ed. Marsha Kinder and Tara McPherson (forthcoming in 2005).
Kids' Media Culture, ed. Marsha Kinder. Durham: Duke University Press, 1999. This anthology includes my introduction, "Kids' Media Culture: An Introduction," and my chapter titled, "Ranging with Power on the Fox Children's Network, or Where on Earth is Children's Educational Television" (177-204).
Buñuel's The Discreet Charm of the Bourgeoisie, ed. Marsha Kinder. Cambridge: Cambridge University Press, 1998.This anthology includes my introductory essay, "The Nomadic Discourse of Luis Buñuel: a Rambling Overview" (1-36).
Refiguring Spain: Cinema, Media, Representation, ed. Marsha Kinder. Durham: Duke University Press, 1997. This anthology includes my introduction, “Refiguring Socialist Spain: An Introduction," and my chapter titled, 'Documenting the National and its Subversion in a Democratic Spain" (65-99).
Remapping the Post Franco Cinema, ed. , a special issue of QRFV (Quarterly Review of Film and Video, 13:4 (1991). This collection includes my introduction, "Remapping Post Franco Cinema: An Overview of the Terrain" and my essay "The Spanish Oedipal Narrative from Raza to Bilbao."
The Application of Semiology and Structuralism to Practical Film Criticism, special issue of OR FS (Quarterly Review of Film Studies), 3:3 (Summer 1978). This collection includes my introduction and my essay (co-written with Beverle Houston), "Insiders and Outsiders in the Films of Nicolas Roeg."
Chapters in Anthologies & Catalogues Edited by Others (all solicited) “Todo sobre los hermanos: Retro-seriality in Almodóvar’s Mala educación,” forthcoming in a volume on
Almodóvar edited by Bradley Epps at Harvard University (forthcoming in 2006) “Reorchestrating History: Interacting with Peter Forgács on The Rippling Currents of
Danube Exodus,” in Time Past: Peter Forgacs’ Archaeological Cinema, eds.
and Michael Renov (Univ. of Minnesota Press, forthcoming 2005) “A Cinema of Intelligent Agents: Lynn Hershman Leeson’s Conceiving Ada and
forthcoming book on Hershman’s work, ed. (Berkeley: University
of California Press,
forthcoming in 2005). “Three Winters in the Sun: Einstein in the Labyrinth,” in the Three Winters in the Sun: