"Home alone in the 90s: Generational War and Transgenerational Address in American Movies, Television and Presidential Politics," In Front of the Children, ed. Cary Bazalgette and David Buckingham. London: British Film Institute, 1995. "Micro and Macro Regionalism in Vida en sombras and Beyond," in Cine-Lit: Essays on Peninsular Film and Fiction, ed. George Cabello Castellet, Jaume Martf-Olivella, and Guy H. Wood. Portland State University, Oregon State University and Reed College, 1992, pp. 131-46. "Dialectic Adaptation in Le Mepris: a Thrice-Told Tale," in Modern European Filmmakers and the Art of Adaptation, ed. Andrew Horton and Joan Magretta. Ungar, 1981. "The Penetrating Dream Style of Ingmar Bergman," in Film and Dreams, ed. Vlada Petric. New York: Redgrave Publishing, 1981. "Farewell, My Lovely and The Long Goodbye: From Book to Film," in Mystery & Detection Annual, ed. Donald Adams, 1976. "Experimental Film," Catalogue for the Yankee Film Festival Los Angeles: Occidental College, 1968. "The American Underground Cinema: Experimentation and Rebellion," The New Vein Catalogue, ed. Connie Perkins. Washington D.C.: Smithsonian Institution, 1968.
Journal ArticIes “Uncanny Visions of History in Two Experimental Documentaries from Transnational
Asaltar los cielos (1996) and Tren de sombras (1997),” Film Quarterly
“Re-inventing the Motherland: Almodóvar’s Brain-dead Trilogy,” Journal of Spanish
Cultural Studies, special Almodóvar issue, ed. Paul Julian Smith (Winter 2004), and Film Quarterly (Winter/Spring 2004/2005). This version is in English. “Moulin Rouge," Film Quarterly (Spring 2002, in vol. 55, no.3) "Hot Spots, Avatars and Narrative Fields Forever: Buñuel's Legacy for New Digital Media and
Interactive Database Narrative," Film Quarterly (Summer 2002): 2-15. "The Chambermaid on the Titanic," Film Quarterly 52, no. 2 (Winter 1998-99): 35-41. "Jamón, Jamón," Film Quarterly 47, no. 1 (Fall 1993). "High Heels," Film Quarterly (Summer 1992). Reprinted in special catalogue on
Almodóvar for Venice Bienalle, 1993. "The Feminist Road Movie: Thelma and Louise and Messidor," Film Quarterly (Spring 1992).
Reprinted in Film Quarterly: Forty Years--a Selection, eds. Brian Henderson and Ann Martin. Berkeley and Los Angeles: University of California Press, 1999, pp. 558-61. "Playing with Power on Saturday Morning Television and on Home Video Games," Quarterly
Review of Film and Video 14, nos. 1-2 (1992): 29-59. Reprinted in American Television: New Directions in History and Theory, ed. Nick Browne. Harwood Academic Publishers, 1994, pp. 255-86. "The Spanish Oedipal Narrative: From Raza to Bilbao," Quarterly Review of Film & Video
13:4 (Winter 1991/92): 67-94. "Ideological Parody in the New German Cinema: Reading The State of Things, Veronika Voss
and Germany Pale Mother as Postmodernist Rewritings of The Searchers, Sunset Boulevard, and Blonde Venus," Quarterly Review of Film and Video, Special issue on parody, vol. 12, nos. 1-2 (May 1990): 73-103. "The Subversive Potential of the Pseudo Iterative," Film Quarterly 43, no. 2 (Winter 1989/90):
2-16. Reprinted in Film Quarterly: Forty Years--a Selection, ed. Brian Henderson and Ann Martin. Berkeley and Los Angeles: University of California Press, 1999, pp. 126-51. "A Tribute to Beverle Houston," Cinema Journal 28, no. 1: 6-9. "A Tribute to Beverle Houston," Quarterly Review of Film and Video 11, no. 1 (1989): iii-vi. "On Female Spectatorship," Camera Obscura, Nos. 20-21 (1989):199-204. "Back to the Future in the 80s with Fathers & Sons, Supermen & PeeWees, Gorillas & Toons,"
Film Quarterly (Summer 1989): 2-11.