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Journal ArticIes “Uncanny Visions of History in Two Experimental Documentaries from Transnational


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Interactive Database Narrative," Film Quarterly (Summer 2002): 2-15. "The Chambermaid on the Titanic," Film Quarterly 52, no. 2 (Winter 1998-99): 35-41. "Jamón, Jamón," Film Quarterly 47, no. 1 (Fall 1993). "High Heels," Film Quarterly (Summer 1992). Reprinted in special catalogue on

Almodóvar for Venice Bienalle, 1993. "The Feminist Road Movie: Thelma and Louise and Messidor," Film Quarterly (Spring 1992).

Reprinted in Film Quarterly: Forty Years--a Selection, eds. Brian Henderson and Ann Martin. Berkeley and Los Angeles: University of California Press, 1999, pp. 558-61. "Playing with Power on Saturday Morning Television and on Home Video Games," Quarterly

Review of Film and Video 14, nos. 1-2 (1992): 29-59. Reprinted in American Television: New Directions in History and Theory, ed. Nick Browne. Harwood Academic Publishers, 1994, pp. 255-86. "The Spanish Oedipal Narrative: From Raza to Bilbao," Quarterly Review of Film & Video

13:4 (Winter 1991/92): 67-94. "Ideological Parody in the New German Cinema: Reading The State of Things, Veronika Voss

and Germany Pale Mother as Postmodernist Rewritings of The Searchers, Sunset Boulevard, and Blonde Venus," Quarterly Review of Film and Video, Special issue on parody, vol. 12, nos. 1-2 (May 1990): 73-103. "The Subversive Potential of the Pseudo Iterative," Film Quarterly 43, no. 2 (Winter 1989/90):

2-16. Reprinted in Film Quarterly: Forty Years--a Selection, ed. Brian Henderson and Ann Martin. Berkeley and Los Angeles: University of California Press, 1999, pp. 126-51. "A Tribute to Beverle Houston," Cinema Journal 28, no. 1: 6-9. "A Tribute to Beverle Houston," Quarterly Review of Film and Video 11, no. 1 (1989): iii-vi. "On Female Spectatorship," Camera Obscura, Nos. 20-21 (1989):199-204. "Back to the Future in the 80s with Fathers & Sons, Supermen & PeeWees, Gorillas & Toons,"

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