Szepanksi, Achim. 2002. "Digital Music and Media Theory." Parachute 107, 24-27. [view online]
Takahashi, Melanie and Tim Olaveson. 2003. 2003. "Music, Dance and Raving Bodies: Raving as Spirituality Central Canadian Rave Scene." Journal of Ritual Studies 17(2), 72-96.
Taylor, Timothy D. 2001. Strange Sounds: Music, Technology & Culture. New York: Routledge.
Thornton, Sarah. 1994. "Moral Panic, the Media, and British Rave Culture." In Microphone Fiends: Youth Mu Youth Culture, edited by A. Ross and T. Rose. New York: Routledge, 176-192.
Thornton, Sarah. 1996. Club Cultures: Music, Media, and Subcultural Capital. Hanover: Wesleyan University
Till, Rupert. 2001. "Clubbing – a new performance tradition." In Changing Sounds, edited by Tony Mitchell. S Australia: UTS.
Till, Rupert. 2006. "The Nine O‘Clock Service: Mixing Club Culture and Postmodern Christianity‖." Culture Religion 7(1), 93-110.
Till, Rupert. 2009. "Popular Music as Religion: from trance dancing to worshipping popular music icons." In Quest for Spirituality and Religion / Es glaubt: Suchen nach Spiritualität und Religion, edited by Niederberger, Müller, Lars. Baden, Switzerland: Lars Muller Publishers. [view online]
Till, Rupert. 2009. "Possession trance ritual in electronic dance music culture: a popular ritual technology f reenchantment, addressing the crisis of the homeless self, and reinserting the individual into the community." Exploring Religion and the Sacred in a Media Age, edited by Deacy, Chris. London: Ashgate. [view online
Toop, David. 1995. Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. London: Serpent's
Toop, David. 2004. Haunted Weather: Music, Silence, and Memory. London: Serpents Tail.
Tramacchi, Des. 2000. "Field tripping: psychedelic communitas and ritual in the Australian bush." Journal Contemporary Religion 15(2), 201-213.
Turner, Tad. 2003. "The Resonance of the Cubicle: Laptop Performance in Post-digital Musics." Contemporary Review 22(4), 81-92.
Twist, Cinnamon (ed.). 1999. Guerillas of Harmony: Communiques from the Dance Underground. LA: Tribal
Ueno, Toshiya. 2003. "Unlearning to Raver: Techno-Party as Contact Zone in Trans-Local Formations." In The Subcultures Reader, edited by David Muggleton and Rupert Weinzierl. Oxford: Berg, 101-117.
Vályi, Gábor. 2002. Grassroots cultural globalisation in the east-central European nu jazz scene. M.A. The (Sociology/ Centre for Urban and Community Research), Goldsmiths College (University of London). [view on
Vaudrin, Marie-Claude. 2004. La musique techno, ou, Le retour de Dionysos: je rave, tu raves, nous rêvons. Harmattan.
Veal, Michael. 2007. Dub: Soundscapes and Shattered Songs in Jamaican Reggae. Middletown: Wesleyan Uni Press.
Vecchiola, Carla. 2006. Detroit's rhythmic resistance: Electronic music and community pride. Ph.D. Disserta (American Studies), University of Michigan.