X hits on this document

PDF document

Electronic dance music cultures bibliography - page 3 / 14

37 views

0 shares

0 downloads

0 comments

3 / 14

Chan, Seb. 1999. "Bubbling Acid: Sydney‘s Techno Underground." In Australian Youth Subcultures: On the M and in the Mainstream, edited by Rob White. Hobart: ACYS Publications, 65-73.

Chang, Jeff. 2005. Can't Stop Won't Stop: A History of the Hip-Hop Generation. New York: Picador.

Chapman, Dale. 2003. "Hermeneutics of Suspicion: Paranoia and the Technological Sublime in Drum n' Bass M Echo: A Music-Centered Journal V(2), . [view online]

Chapman, Dale. 2003. "The Hermeneutics of Suspicion." Echo: A Music-Centered Journal V(2), . [view onl

Cole, David R. 2007. "Techno-shamanism and Educational Research." Ashé! Journal of Experimental Spirituali 6-34. [view online]

Cole, Fred and Hannan, Michael. 1997. "Goa Trance: A Psykotropic Trip Through Tribedelic Landscapes." P Beat 3(3), ??.

Collin, Matthew. 1997. Altered State: The Story of Ecstasy Culture and Acid House. London: Serpent's Ta

Collins, Karen. 2005. "Dead Channel Surfing: The commonalities between cyberpunk literature and industrial m Popular Music 24(2), 165-178.

Colombié, Thierry, Nacer Lalam and Michel Schiray. 2000. Drogue et techno: les trafiquants de rave. Paris:

Courtney, Dave. 2000. Raving Lunacy: Clubbed to Death - Adventures on the Rave Scene. London: Virgin

D'Andrea, Anthony. 2003. "Global Nomads: Techno and New Age as Transnational Countercultures in Ibiza Goa." In Rave Culture and Religion, edited by Graham St. John. New York and London: Routledge, 236-25

D'Andrea, Anthony. 2007. Global Nomads: Techno and New Age as Transnational Countercultures. London York: Routledge.

Davis, Erik. 2004. "Hedonic Tantra: Golden Goa‘s Trance Transmission." In Rave Culture and Religion, edite Graham St John. London: Routledge, 256-272.

De Haro, Sarah and Wilfrid Estéve. 2002. 3672: La Free Story. Paris: Trouble-Fête.

Dyer, Richard. 1990. "In Defence of Disco." In On Record: Rock, Pop and the Written Word, edited by Simon and Andrew Goodwin. New York: Pantheon, 410-418.

Eshun, Kodwo. 1998. More Brilliant Than The Sun: Adventures In Sonic Fiction. London: Quartet Books

Farrugia, Rebekah L. 2004. Spin-sters: Women, new media technologies and electronic/dance music. Ph.D Dissertation (Communication studies), University of Iowa.

Farrugia, Rebekah, Thomas Swiss. 2005. "Tracking the DJs: Vinyl Records, Work, and the Debate over N Technologies." Journal of Popular Music Studies 17(1), 30-44. [view online]

Farrugia, Rebekah. 2004. "Sisterdjs in the house: Electronic/dance music and women centered spaces on the Women’s Studies in Communication 27(2), 236-262.

Ferrigno, Emily. 2008. Technologies of Emotion: Creating and Performing Drum 'n' Bass. Ph.D. Dissertati (Ethnomusicology), Wesleyan University.

Fikentscher, Kai. 2000. "You Better Work!": Underground Dance Music in New York City. Middletown: Wes

Document info
Document views37
Page views37
Page last viewedFri Dec 09 08:41:46 UTC 2016
Pages14
Paragraphs273
Words5197

Comments