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Grimm

67.

Barna Tibor

Oleanna: Feminism, Postmodernism and Political Correctness

2008

68.

Sanyó Olívia

Redefining Gender Relationship and Identity in Angela Carter’s The Bloody Chamber

2008

69.

Tóth Krisztina

Női tes(z)t-ábrázolásmódok Tóth Krisztina novelláiban

2008

70.

Kristóf Júlia

The Feminine the Ruler – The Masculine the Tender:

The Gender-Shift in Emily Brontë’s Gondal Poems

2008

71.

Agócs Andrea

Three Generations of Women – A Three-Generation Woman: Stephen Daldry’s The Hours

2009(BA)

72.

Antal Adrienne

Villette: A Quest for Self-Definition

2009

73.

Bata Györgyi

Gender Changes in “The Lifted Veil” and in Orlando

2009

74.

Diviki Dóra

Esther’s Doubles in Sylvia Plath’s The Bell Jar

2009

75.

Fenyősy Márta

Colours as Means of Understanding the Process of Going Mad in Wide Sargasso Sea

2009

(BA)

76.

Mladoneczki Laura

Flower Symbolism in Angela Carter’s The Magic Toyshop

2009 (BA)

77.

Pavletits Orsolya

The Double Discourse on Victorian Womanhood and Sexuality for a Contemporary Perspective

2009

78.

Szűcs Péter

Confused: Postfeminism and Helen Fielding’s Bridget Jones’ Diary

2009

(BA)

79.

Vígh Mónika

International Relations in the Women’s Suffrage Movement in New Zealand

2009

80.

Hermann Ildikó

The New Woman at the Fin de Siècle: Fact or Fiction?

2009

81.

Szabó Ildikó

Other Bodies – The  Representation of Disabled Female Bodies

2009

82.

Baji-Gálné Oláh Ibolya

Bildungsroman in the Shadow of Madness in Daphne du Maurier’ Rebecca and Alfred Hitchcock’s Film Adaptation

2010

83.

Benedek Nikolett

Artistic Representation in Woolf’s To the Lighthouse

2010

(BA)

84.

Estók Anna

Modern Urban Heterotopias–Modern Urban Phenomena and Their Representation in Literature and in Films in Connection with Space

2010

85.

Lőrincz Bianka

The Function of Seasons in Thomas Hardy’s Tess of the d’Urbervilles

2010

(BA)

86.

Muszka Zsuzsanna

The Intertextual Connection Between Lessing's The Grass is Singing and Coetzee's In the Heart of the Country

2010

(BA)

87.

Szabó Emőke

A Comparative Analysis of Pride and Prejudice and Bridget Jones’s Diary

2010

88.

Szabó Orsolya Zsuzsanna

Just Turn It Around:The Osbournes and The Osbournes as Images and Storytellers of Gender

2010

89.

Szalóki Zsuzsanna

The “Uncanny” and the Gaze: Nature as the Embodiment of Repressed Contents in Conrad’s Heart Of Darkness and in Lessing’s The Grass is Singing

2010

(BA)

90.

Tar Adrienn

Trauma and Confusion in Women’s Lives, and the

2010

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