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Losche, Diane & Thomas, Nicholas (eds). Double vision: art histories and colonial histories of the Pacifc. Cambridge University Press, 1999. Linnekin, Jocelyn and Lin Poyer, Cultural identity and ethnicity in the Pacific, Honolulu: University of Hawaii Press, 1990 Mauss, Marcel, The gift: the form and reason for exchange in archaic societies, W. D. Halls, (trans), New York and London: W. W. Norton, 1990 (1950). McLean, Ian, White aborigines: Identity politics in Australian art, Cambridge: Cambridge University Press, 1998 Mallon, Sean & Pandora Fulimalo Pereira (eds.), 1997. Speaking in colour: conversations with artists of Pacific Island heritage. Wellington: Te Papa Press. Marcus, George & Myers, Fred. The traffic in culture: refiguring art and anthropology. Berkeley and L.A.: University of California Press. Mead, Sidney & Kernot, Bernie (eds), 1983. Art and artists of Oceania. Dunmore Press/Ethnographic Arts Publications. Mead, Sidney Moko, 1997. Maori art on the world scene: essays on Maori art. Wellington: Matau Associates. __________, (ed), 1979. Exploring the visual art of Oceania: Australia, Melanesia, Micronesia, and Polynesia. Honolulu: The University of Hawai’i Press. __________, Te Maori. New York Otto, Ton & Thomas, Nicholas (eds.), 1997. Narratives of nation in the South Pacific. Amsterdam, Netherlands: Harwood Academic. Otten, Charlotte, 1971. Anthropology and art: readings in cross-cultural aesthetics. Garden City, NY: Natural History Press/American Museum of Natural History. Pound, Francis, 1994. The space between: Pakeha use of Maori motifs in modernist New Zealand art. Auckland: Workshop Press. Simons, S. C. and H. Stevenson (eds), 1990. Luk luk gen! Look again! Contemporary art from Papua New Guinea. Townsville: Perc Tucker Regional Gallery, 1990. Stephen, Ann (ed.), Pirating the Pacific: images of travel, trade & tourism. NSW, Australia: Powerhouse Publishing, 1993. Stocking, George, Jr., Victorian anthropology, New York: Free Press, 1987. __________, Jr., (ed), Objects and others: essays on Museums and material culture. History of anthropology, vol. 3. Madison: University of Wisconsin Press, 1985. Thomas, Nicholas, Colonialism’s culture: travel, government, anthropology. Cambridge, UK: Polity Press/Blackwell, 1994. __________, Entangled objects: exchange, material culture and colonialism in the Pacific. Cambridge, MA: Harvard University Press, 1991. ___________, Possessions: Indigenous art/colonial culture. London: Thames and Hudson, 1999 __________,In Oceania: visions, artifacts, histories. Durham and London: Duke University Press, 1997. __________, ‘Kiss the Baby Goodbye: Kowhaiwhai and Aesthetics in Aotearoa New Zealand’, in Critical Inquiry 22 (Autumn 1995), pp 90-121 Trask, Haunani-Kay, ‘Natives and anthropologists: the colonial struggle’, The contemporary Pacific (Spring 1991), pp 159-167. (See also replies to Trask in the same issue by Roger Keesing [pp 168-171] and Jocelyn Linnekin [pp 172-177]). Trask, Haunani-Kay, From a native daughter: colonialism and sovereignty in Hawaii, Maine: Common Courage Press, 1993. Turner, Caroline (ed.), 1993. Tradition and change: contemporary art of Asia and the Pacific. Brisbane: University of Queensland Press.

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