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Vilsoni Hereniko, ‘Representations of cultural identities’, in Tides of History: The Pacific Islands in the twentieth century, eds, K. R. Howe, Robert C. Kiste, and Brij Lal, NSW: Allen and Unwin, 1994, pp. 406-434 Stuart Hall, ‘New ethnicities’ in Stuart Hall: Critical dialogues in cultural studies, eds, David Morley and Kuan-Hsing Chen, London and New York: Routledge, 1996, pp. 441-49 Peter Brunt, ‘Since ‘Choice!’: Exhibiting the ‘New Maori art’, in On Display: New essays in cultural studies, eds, Anna Smith and Lydia Wevers, Wellington: Victoria University Press, 2004, pp. 215-242

11 August 13. Indigeneity and globalisation

Fred Myers, ‘Representing culture: The production of discourse(s) for Aboriginal acrylic painting’ in The traffic in culture: Refiguring art and anthropology, eds, Fred Myers and George Marcus, Berkeley and Los Angeles: University of California Press, 1995, pp. 55-95 Imants Tillers, ‘Locality fails’ in Art and text, no. 6 (Winter 1982), pp. 51- 60 Ian McLean, ‘Global indigeneity and Australian desert painting: Eric Michaels, Marshall McLuhan, Paul Ricoeur and the end of incommensurability’ in Australian and New Zealand journal of art, vol. 3, no. 2 (2002), pp. 33-53

18 August 14. Diaspora and globalisation

Selina Crosbie, Kerry Buchanan, and Cushla Parekowhai, ‘Americanisation: Amerian popular culture’s influence on Maori and Pacific Island identity’ in Midwest, no. 3 (1993), pp. 22-29 Epeli Hau‘ofa, ‘The Ocean in us’ in Culture and sustainable development in the Pacific, ed. Anthony Hooper, Asia Pacific Press, 2000, pp. 32-43 Rey Chow, ‘Where have all the natives gone?’ in Writing Diaspora: Tactics of intervention in contemporary cultural studies, Bloomington and Indianapolis: Indiana University Press, 1993, pp. 27-54 View film: My crasy life, dir. Jean-Pierre Gorin (screening time tba)

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Mid-term break/End of seminar sessions

ESSAY DUE: 8 October 2004

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