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5 . Adding Multiple MIDI Keyboards to Your jOrgan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 .1 Step One - Identify the Same MIDI-USB Device With All Keyboards and Pedalboard . . . . . 5 .2 Step Two - Identify a Unique Channel for Each Keyboard and Pedalboard . . . . . . . . . . . . . . 5 .2 Step Three - Describe the Notes Correspondence for Each Keyboard and Pedalboard . . . . 5 .4

6 . Incorporating Stop Tabs, Pistons and Expression Pedals Into Your jOrgan . . . . . . . . . . . . . 6 .1

Step One - Connect Your Expression Pedals

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 .3

Step Two - Connect The Straightforward Stop-Tabs and Buttons . . . . . . . . . . . . . . . . . . . . . 6 .6 Step Three - Connect The Less Obvious Stop-Tabs and Buttons . . . . . . . . . . . . . . . . . . . . . 6 .7

7 . Getting The Best Sound From Your jOrgan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 .1 Option One - Software Only . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 .2 Option Two - Adding Soundcards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 .8 Example - How To Set Up A jOrgan Installation With Soundcards . . . . . . . . . . . . . . . . . . . . . 7 .8 Option Three - Adding Other Sound Studio Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 .11 Option Four - Performance Alternatives in Choosing Voices . . . . . . . . . . . . . . . . . . . . . . . . .7 .11 Troubleshooting Sound Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 .11 Troubleshooting Sound Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 .11 Working With Reverberation Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7 .11

8 . jOrgan Computer as a MIDI-Based Sound Studio . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Using jOrgan’s Recorder Element to Make a Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . Using the jOrgan Recorder’s Playback Feature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Esthetic Considerations of Using jOrgan’s Recorder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . History of Musical Instrument Recorder/Playback Features . . . . . . . . . . . . . . . . . . . . . . . . . .

8 .1 8 .1 8 .4 8 .5 8 .5

9 . jOrgan with Music Notation Front End Computer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

9 .1

Technology—Two Computers with a (Hardware) MIDI Connector . . . . . . . . . . . . . . . . . . . . . 9 .1 Technology—One Computer with a (Software) MIDI Connector . . . . . . . . . . . . . . . . . . . . . . 9 .2

MIDI Channel Nomenclature Anomaly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

. 9 .2

10 . Ergonomics—Making Your Console Physically Easier To Play . . . . . . . . . . . . . . . . . . . . . Touch Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dual Monitor Console . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dual Monitors Option 1—Using the Screen Property . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dual Monitors Option 2—Extending Main Window . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Dual Touchscreen Monitors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Larger Stop Tabs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Expanded Stop-Rail Real Estate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Expanded Keyboard Real Estate—Split Manuals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

10 .1 10 .1 10 .1 10 .3 10 .3 10 .3 10 .4 10 .4 10 .4

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