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2. Museum session: Cézanne

Tuesday, 14 August From Neo- to Post-: Seurat, Toulouse-Lautrec

1. Required reading

EISENMAN, pp. 318-39 Fénéon, Félix. “The Impressionists in 1886” [1886] and “Neo-Impressionism” [1887]. In Art in Theory, 1815-1900, edited by Charles Harrison, Paul Wood, and Jason Gaiger, 963-69. London: Blackwell, 1998. Nochlin, Linda. “Seurat’s Grande Jatte: An Anti-Utopian Allegory.” In The Politics of Vision: Essays on Nineteenth-Century Art and Society, 170-93. New York: Harper & Row, 1989.

2. Museum session: Seurat, Toulouse-Lautrec

Wednesday, 15 August Gauguin and Van Gogh

1. Required reading

EISENMAN, pp. 340-64, 379-88 Gauguin, Paul. “Letter to Emile Bernard” [1889] and “Notes on Painting” [c.1890]. In Impressionism and Post-Impressionism 1874-1904: Sources and Documents, edited by Linda Nochlin, 160-65. Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1966. Aurier, G.-Albert. "The Isolated: Vincent Van Gogh [1890]." In Art in Theory: 1815-1900, edited by Charles Harrison, Paul Wood and Jason Gaiger, 948-52. London: Blackwell, 1998. Aurier, G.-Albert. “Symbolism in Painting: Paul Gauguin” [1891, excerpt]. ]." In Art in Theory: 1815-1900, edited by Charles Harrison, Paul Wood and Jason Gaiger, 1025-29. London: Blackwell, 1998.

2. Museum session: Gauguin and Van Gogh

3. Further reference

Brettell, Richard. “Coda: Was Van Gogh an Impressionist?” In Impressionism: Painting Quickly in France, 1860-1890, 223-32. New Haven and London: Yale University Press, 2000.

Thursday, 16 August Impressionism as Entertainment: the Blockbuster Exhibition

1. Required reading

Solomon-Godeau, Abigail. "Going Native: Paul Gauguin and the Invention of Primitivist Modernism [1989]." In Modern Art and Society: An Anthology of Social and Multicultural Readings, edited by Maurice Berger, 73-94. New York: Icon Editions, 1994. Spear, Richard. "Art History and the 'Blockbuster' Exhibition." Art Bulletin 68, no. 3 (1986): 358-59.

2. Examination review

Friday, 17 August Final Examination

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